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additive color : Spreety TV Online Glossary

The following is a subset of an encyclopedic dictionary, graciously provided by Hollywords. For more information, please go to www.hollywords.org.

additive color n. A means of producing color by mixing lights of red, green, and blue (technically, blue-violet)—the three primary additive colors. Varying proportions of these primary colors combine to create light of all other colors, including white (which is a mixture of all of the visible wavelengths) and black (which is the absence of all light).

The first color photography experiments, conducted by James Clerk Maxwell in 1861, were based on additive color. He used a still camera and colored filters to take three pictures of the same subject. One photograph was shot through a red filter, another was shot through green, and the last was shot through blue. He printed positives of these images on glass magic lantern slides and projected them onto the same screen using three magic lanterns. The original red-filtered photograph was projected through a red filter, etc. The result was a full-color projected image.

One of the first color motion picture systems used the same method. The camera shot frames through alternating filters (red, green, and blue) and the resulting print was projected through similarly alternating filters. This resulted in a full-color image, but the process broke down if the subject moved; it also caused eye strain in the viewer (color-bombardment). The original two-strip Technicolor process developed in 1914 also used additive color. In this case, recording red and green filtered images on a double strip of black-and-white film that was later projected through a double projector fitted with corresponding red and green filters. The additive process for color motion picture photography had two serious failings: it required special cameras and projectors, and the filters absorbed much of the light. This meant that it took more light to expose the images and more light to project them. Solutions to these issues were eventually found in subtractive color.

Video systems, on the other hand, continue to use the additive color process. The traditional CRT (cathode ray tube) television or computer monitor uses red, green, and blue phosphors to create an additive color image. In a CRT, an electron gun fires a focused electron beam into the back of the colored phosphors that coat the inside of the screen, causing them to glow in varying amounts, creating all the different colors in an image. If one looks closely at a color CRT screen, one can see the individual image pixels, each consisting of a cluster of three colored phosphors. Plasma, LCD (liquid crystal display), and DLP (digital light projection) video displays each operate in a different fashion, but still produce full color images by mixing the primary additive colors of light (red, green, and blue) in varying amounts.

Compare subtractive color.


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